MTG
My MTG is a merit for this trailer, to get this we need to create a trailer with meaning within it.
Current Grade Based on Mark-scheme
My current grade is a pass based on the mark-scheme as we have most of the paperwork done and we have applied some of the visual effects for this trailer.
Target for this Lesson
My target for this lesson is to finish the shot logs, so we have more of the paper work done this fulfills LO2.
Wednesday, 18 March 2015
Monday, 16 March 2015
Friday, 13 March 2015
Parts we are filming on Saturday 14th March
DANIEL’S
reaction to hearing CLAIRE scream through the phone.
DANIEL
running on a street.
DANIEL speaking with police officer
DANIEL
I
have no clue about where she is or anything
DANIEL
I
really didn’t want to end up doing this
DANIEL shoots then instantly cuts to
DANIEL
What
do you mean?
DANIEL on the phone to the police
DANIEL
I’m going to kill many, many people, so get
someone to come down and stop me.
DANIEL picks up a rucksack and puts it on his back
and walks to a building.
Friday, 6 March 2015
LO4 - All Hail the Chocolate Dragons offline edit
This is an offline edit of 30 seconds of the All HAIL the Chocolate Dragons trailer, meaning no effects or anything, just the shots.
Thursday, 5 March 2015
LO3 - Rush for the first day of filming
Footage 1
This is a shot of Daniel running to his car and getting in which connotes excitement through his rush to the car. There is also an alternative camera angle in this to have more of a jumping around connotation.
Footage 2
This is a shot of Daniel running to his car and getting in which connotes excitement through his rush to the car. There is also an alternative camera angle in this to have more of a jumping around connotation.
Footage 3
This is a shot of Daniel picking up the envelope to have multiple shots for the sake of variety. This version of the shot is from inside the car which is to get people used to the interior of the car as it is used again for the key turn and the radio.
Footage 4
This scene is where Daniel pulls out the contents of the envelope to check what they are. This will interest the audience by making them wonder what the contents are, and the only way they'll find out is by watching the film, meaning the trailer would have done its job in advertising the movie.
Footage 5
This scene is a way to add in the montage music to the trailer in a way of mixing digetic and non-digetic sound, as the music gets louder as the volume is turned up on the car stereo.
Footage 6
This is one of the scenes that kick off the montage as the key turn connotes that he'll be driving, and also there will be a speed up to the turn and have it as a half second or so clip, connoting that he will be driving quickly to the point to his destination, making the audience want to wonder what kind of business there will be.
Footage 7
This is what kicks off the montage scene as this is the first scene since the music kicks in. However whether we use this or not is up to how much it fits with the other scenes, as the montage consists of more fast paced scenes, which this isn't.
Footage 9
DANIEL'S OFFICE
DANIEL looking out of window turning on phone. Slow fade to another angle. (3 seconds)
DANIEL
I need more to go with.
DANIEL'S FRIEND
Well it's your lucky day, I think I might've found who you're looking for. (3 seconds)
This is one of the several clips of footage we took of Daniel saying this line "I need more to go with." This is denoting part of the disequilibrium and also raising questions within the person who's viewing this mind.
Footage 10
DANIEL'S OFFICE
DANIEL looking out of window turning on phone. Slow fade to another angle. (3 seconds)
DANIEL
I need more to go with.
DANIEL'S FRIEND
Well it's your lucky day, I think I might've found who you're looking for. (3 seconds)
This is one of the several clips of footage we took of Daniel saying this line "I need more to go with." This is denoting part of the disequilibrium and also raising questions within the person who's viewing this mind.
Footage 8
FADE TO
Daniel on the phone, listening to his friend
Daniel on the phone, listening to his friend
This is the scene of Daniel listening to someone within the story-world say - “Looks like they’re coming for you.” (Throws phone away) (4 seconds). This will be recorded on a Tascam and it would be classed as Diegetic. This could potentially be the footage we use, it will appear after the title as we are already starting off with some sort of mystery, making the audience wonder what Daniel is talking about and therefor sell the film a little more which is the purpose of a trailer.
Footage 11
DANIEL'S OFFICE
Past scene of Daniel doing work in his office (2 seconds)
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