Music Permissions

We have permission to use this music because it is royalty free and we are pusing it for a no-for-profit trailer.

Production Schedule

LO4 - Final Audio and Visual Promo

LO2 - Corruption Phase Storyboards

This will be the opening scenes that will show the graffiti covered street that will help set the tone for the film, this will connote to the audience the cold gritty feel we are trying to show the audience. The cut after this will be the first glimpse that we get of the protaganist it will be a low angle of Daniels shoes while he is running, this will help denote suspense and make the person viewing this wonder who this mysterious character is and possibly spark questions within the viewers mind such as "who is this character?" and "is he good or bad?".

The next cut will be a point of view shot of daniel running, he will be breathing heavilly and will show the audience just how internse this film will be. This may help put the audience will feel like they are daniel in a way.  This will also be out of focus as we will want to show how out of breath and tired he is. The next scene will be showing Daniel running away from a threat to help show that this film will be many focused on a disequibrium world. We intend on starting the trailer off like this because we want to help set the tone for the entire film.

 

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LO2 - Corruption Phase script

GRAFFITI COVERED STREET

Trailer begins with a pan of a graffiti covered street (2 seconds)

DANIEL is running away from his pursuers. (3 seconds)

DANIEL is hiding behind a wall breathing heavily. (3 seconds)

 DANIEL takes out his phone dials a number whilst also surveying his surroundings. (3 seconds)

DANIEL

“We need to talk.”  (Over the top of previous footage)

CUT TO BLACK 

Title Sequence: Logo (5 seconds)

FADE TO 

Daniel on the phone, listening to his friend

DANIEL’S FRIEND

“Looks like they’re coming for you.” (Throws phone away)  (4 seconds)

STREET.

After he is notified of this, DANIEL notices the people following him from a distance. (7 seconds) Low Key lighting and shallow depth of field used here

FADE TO

DANIEL phones up someone

DANIEL

I'm going to be about an hour late. (6 seconds)

GATES OUTSIDE DANIEL'S OFFICE
DANIEL'S FRIEND goes through the gates outside DANIEL's office. DANIEL walks past the same location after his friend just left and picks up. DANIEL is shown to pick up a envelope which DANIELS friend left, providing photographs and background checks on the people they think are after him. (7 seconds)

Cut to

GARAGE
First person shot from the perspective of someone in some kind of garage on the ground, DANIEL looking at person holding knife

DANIEL

“I don’t wanna do this...”

DANIEL kneels down and takes a stab to a cut to black. (7 seconds)

(Close quarters location, DANIEL running down the corridor.)

                                                                                                             Cut to

DANIEL'S FRIEND'S HOUSE

Daniel's friend talking to a police officer with only the coat of the officer shown, with cross-cuts to Daniel's past.

DANIEL'S FRIEND

I don't know what you want but Daniel is clean. (2 seconds)

                                                                                                  Cross-cut to

DANIEL'S OFFICE

Past scene of Daniel doing work in his office (2 seconds)

DANIEL'S FRIEND
Trust me on that

 Slow fade to

WOODS 

DANIEL dragging body through the woods (5 seconds)

fade to

Tracking shot of DANIEL running out of the woods. (2 seconds)

cut to

DANIEL'S OFFICE

DANIEL looking out of window turning on phone. Slow fade to another angle. (3 seconds)

DANIEL

I need more to go with. 

DANIEL'S FRIEND

 Well it's your lucky day, I think I might've found who you're looking for.  (3 seconds)

DANIEL'S OFFICE CAR PARK
DANIEL is running away at a fast pace and he arrives at a car and it switches from DANIEL turning the key, revs the engine and changes the gear.  As soon as DANIEL turns the key, the radio turns on and the music begins playing.  (4 seconds)

(Shot reverse shot) (2 seconds)

It is then shown on DANIEL’S car dashboard, an envelope.

GARAGE
DANIEL smashing up a phone with a hammer (2 seconds) 

TITLE: "Cold, tough and gripping!" (4 Stars) - (2 seconds)

SHADY ALLEY
DANIEL and DANIEL's Friend walking together in slow motion down a dodgy alley, both putting hood up with fades (3 seconds)

TITLE: "One of the year's best films" - (5 Stars) - Skyscraper Magazine (2 seconds)

DANIEL'S OFFICE
DANIEL having hallucination where he sees someone glitching out in the real world

DANIEL

What the..? (4 seconds) 

DANIEL'S HOUSE

DANIEL is walking toward his house. (2 seconds)

CUT TO BLACK

DANIEL is in his house and he notices a note on the floor.

He picks up the note, reads it and hears the door unlock. (6 seconds)

CUT TO BLACK

Title Sequence: ‘Corruption Phase’ (2 seconds)

Title Sequence: ‘Fall 2015’ (2 seconds)

LO4 - Corruption Phase Offline Edit 16th March 2015

This Fulfils LO4​

Lesson Objectives - Wednesday 18th March 2015

MTG

My MTG is a merit for this trailer, to get this we need to create a trailer with meaning within it.

Current Grade Based on Mark-scheme

My current grade is a pass based on the mark-scheme as we have most of the paperwork done and we have applied some of the visual effects for this trailer.

Target for this Lesson

My target for this lesson is to finish the shot logs, so we have more of the paper work done this fulfills LO2.

LO4 - Screen Recording LO4 Monday 16th March

This fulfils LO4

LO3 - Photographic Evidence

Parts we are filming on Saturday 14th March

DANIEL’S reaction to hearing CLAIRE scream through the phone.

DANIEL running on a street.

DANIEL speaking with police officer

DANIEL

I have no clue about where she is or anything

DANIEL

I really didn’t want to end up doing this

DANIEL shoots then instantly cuts to

DANIEL

What do you mean?

DANIEL on the phone to the police

DANIEL

I’m going to kill many, many people, so get someone to come down and stop me.

DANIEL picks up a rucksack and puts it on his back and walks to a building.